BRUCE DOCKER . . . . . PAINTINGS: August 2009

Tuesday, August 11, 2009

MUG SHOT

Acrylic on wood panel - 5x7" - (C)BruceDocker,2009
SOLD

Monday, August 10, 2009

DUSK CREEPS

Acrylic on wood panel - 7x5" - (C)BruceDocker,2009
$100.00

Sunday, August 9, 2009

HIGH PLAINS DRIFTER

Acrylic on wood panel - 7x5" - (C)BruceDocker,2009
SOLD

Thursday, August 6, 2009

SOLITARY DANCER

Acrylic on wood panel - 7x5" - (C)BruceDocker,2009
SOLD

Tuesday, August 4, 2009

Acrylic on wood panel - 7x5" - (C)BruceDocker,2009
SOLD
I've lived in S.W. Missouri for 15 years. I see hundreds of armadillos every year. In all that time I've seen one (1) alive. I think it must have been a zombie armadillo. There are no live ones.

Sunday, August 2, 2009

SAN FRANCISCO STREET

Acrylic on wood panel - 14 x 5" - (C)BruceDocker,2009
$175.00

How I am, the way I am.

I come from a long line of artists. My father drew the original series of cigarette smoking woodpeckers used in all traditional tattoo shops today. My maternal grandmother was a professional artist who could paint the highlights of a vase with the devastation of a paper cut to the eye. And of course my grandfather was the infamous paint-by-numbers artist and rumrunner of Kansas City in the 1940’s. I have tried to combine all I learned from them into a cohesively rambling style.

My formal training includes years of study with the Canadian art God, John Nagy, developer of the audacious Learn to Draw Kit. We met every Tuesday afternoon at 3:30.

Believing in total respect for my materials I once used an entire box of Crayola 64’s without breaking a single crayon, I covered my driveway in Scotch tape to protect my sidewalk chalk drawings from the rain, and the linen of my canvas is made only from the wool of free range sheep.

From BLOGCRITICS MAGAZINE:

"Writing about Bruce's art basically means describing the said set of principles, of which there are quite a few. The artist prefers saturated colors, which often transform into very bright, brilliant hues on the one hand and dark, next to black on the other -- a sophisticated manipulation of value. In more concrete terms, many of his pieces contain a sharp contrast of light and shadow. Bruce likes angles and slopes; many of his paintings display a deep perspective -- another feature -- which allows for diagonals that delineate these activities and descents. Brushwork is made visible, producing a disarming informal effect." By Elijah

BRUCE DOCKER . . . . . PAINTINGS

Tuesday, August 11, 2009

MUG SHOT

Monday, August 10, 2009

DUSK CREEPS

Sunday, August 9, 2009

HIGH PLAINS DRIFTER

Thursday, August 6, 2009

SOLITARY DANCER

Tuesday, August 4, 2009

ARMADILLUS OZARKIS

Sunday, August 2, 2009

SAN FRANCISCO STREET

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Articles for artists and collectors by San Fransisco writer and consultant Alan Bamberger.

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THE KANSAS RIVER-Pastel 1982

TIME-Ink Drawing 1992

From BLOGCRITICS MAGAZINE:

Read a review of my work at BLOGCRITICS MAGAZINE by Elijah

Reviews of my work...

Great article about the painting a day movement.......